Latest Entries
Hereditary.

Hereditary.

Following the death of her estranged mother, Toni Collette’s Annie secretly attends grievance support groups, where she describes her mother as manipulative, secretive and barely her mother by the end. Despite the distance and bad blood between them, Annie and her family quickly find the death of their matriarch starts to unravel the family dynamics … Continue reading

Tully.

Tully.

Three years after an astonishing feature debut – Juno – writer Diablo Cody gave us the criminally underrated Young Adult in 2011. The story of a high school princess struggling to find value at life in her early thirties after realising she may have just peaked at prom queen. The film’s blunt, cynical writing was excelled to even greater … Continue reading

Funny Cow.

Funny Cow.

Beware. For Funny Cow is not the film you might be expecting it to be. It’s pitched itself as the story of a female comedian trying to make it on the comedy circuit in 1970s Northern England but proves far more interested in the turbulent childhood and marriage that proceeded it. Maxine Peake is Funny Cow, the otherwise … Continue reading

120 Beats Per Minute.

120 Beats Per Minute.

Heavily influenced and informed by the life and experiences of its director, 120 Beats Per Minute is the autobiographical and unapologetic story of life at the heart of Aids activist group Act Up-Paris, in the early nineties. Following the outbreak and ongoing epidemic, the French government were particularly slow to react and support those suffering. 120 Beats Per … Continue reading

You Were Never Really Here.

You Were Never Really Here.

United once again with astounding composer Jonny Greenwood (of Radiohead), director Lynne Ramsay returns with You Were Never Really Here, a murky tale of regret, revenge and redemption. Despite being temporarily attached to several projects, this is Ramsay’s first time in the director’s chair in six years, following up her astonishing adaptation of Lionel Shriver’s novel We … Continue reading