The Disaster Artist.

Since its release in 2003, Tommy Wiseau’s The Room has gained cult status, becoming a regular favourite among late night audience there to bathe in the absurdity of the whole affair. The stilted awkward delivery of a baffling script combined with the eccentricities of Wiseau’s central character, and a sprawling narrative that drifts from one incomplete story to … Continue reading

Gaga: Five Foot Two.

I’ve been a longstanding Gaga fanatic since Fame Monster landed back in 2009, finding myself captivated by her angsty ballads such as Brown Eyes and Speechless. It was an album that defined my last long summer of freedom before heading off to university. When Born This Way arrived two years later I was once again won over by the mainstream singles, meanwhile falling … Continue reading