Taking a closer look, there’s an evident running theme of escape in my top ten films of 2017. Many of them centre around or involve physically trying to escape, emotionally trying to escape or attempting to flee from one’s self. As we face the daily reality of life filled with fake news, the threat of … Continue reading
Twelve years since his impressive indie noir debut, Brick, Rian Johnson is now the man in the chair behind the second entry in the new Star Wars trilogy. Star Wars: The Last Jedi follows on almost immediately from where J.J.Abram’s Star Wars: The Force Awakens left us two years ago. The highly anticipated second instalment reintroduces us to the ongoing … Continue reading
Since its release in 2003, Tommy Wiseau’s The Room has gained cult status, becoming a regular favourite among late night audience there to bathe in the absurdity of the whole affair. The stilted awkward delivery of a baffling script combined with the eccentricities of Wiseau’s central character, and a sprawling narrative that drifts from one incomplete story to … Continue reading
I’ve been a longstanding Gaga fanatic since Fame Monster landed back in 2009, finding myself captivated by her angsty ballads such as Brown Eyes and Speechless. It was an album that defined my last long summer of freedom before heading off to university. When Born This Way arrived two years later I was once again won over by the mainstream singles, meanwhile falling … Continue reading
Reel Insights 