After leaving an eerie impression with family horror hit Hereditary, Director Ari Aster returns a year later with Midsommar. Following in the footsteps of its predecessor, it is broken relationships that sits at the heart of this folk-festival nightmare. Dani, our grief-stricken protagonist accompanies her boyfriend and his friends on an academic expedition to Sweden … Continue reading
Split is by no means the worst film M. Night Shyamalan has ever made but that’s hardly saying something. As dumb and eccentric as one would expect, Split centres around three teenage girls kidnapped by Kevin, a man with 23 separate personalities. Confined to a windowless room in a mysterious underground lair with seemingly endless … Continue reading
The church of Scientology has remained a pop culture fascination for several decades, constantly prominent in our minds because of high profile followers such as Tom Cruise and John Travolta. Louis Theroux, familiar with documenting and deconstructing the bizarre and the delusional, approaches the subject at a very particular angle. When Theroux struggles to gain … Continue reading
What makes a good movie? Perhaps the more appropriate question is who gets to dictate what is or isn’t a good movie? You can jokingly sort films into amusing categories such as “guilty pleasures” or “childhood favourites” – we do this as a way of justifying why we like a movie if it doesn’t typically … Continue reading
It is a rare and beautiful thing when everything that is wrong with a movie is everything you love about it. It usually happens with bad films but Robin Hardy’s The Wicker Man is made great by all of its problems. Last year, to celebrate the 40th anniversary of this British horror staple, I attended a … Continue reading
