120 Beats Per Minute.

120 Beats Per Minute.

Heavily influenced and informed by the life and experiences of its director, 120 Beats Per Minute is the autobiographical and unapologetic story of life at the heart of Aids activist group Act Up-Paris, in the early nineties. Following the outbreak and ongoing epidemic, the French government were particularly slow to react and support those suffering. 120 Beats Per … Continue reading

You Were Never Really Here.

You Were Never Really Here.

United once again with astounding composer Jonny Greenwood (of Radiohead), director Lynne Ramsay returns with You Were Never Really Here, a murky tale of regret, revenge and redemption. Despite being temporarily attached to several projects, this is Ramsay’s first time in the director’s chair in six years, following up her astonishing adaptation of Lionel Shriver’s novel We … Continue reading

Train to Busan.

An explosive debut feature from Yeon Sang-Ho, Train to Busan joins the likes of A Girl Who Walks Home Alone at Night and Maggie as one of several recent and refreshing additions to the overcrowded zombie movie vault – here to rejuvenate the genre and breath new life into the un-dead. It’s the first zombie … Continue reading

American Honey.

Andrea Arnold has a deserved reputation as a filmmaker who tackles the grimmest and most distressing of scenarios through her work; never shying away from the violence, neglect and reality that might be involved. From the dread that builds in her short film Wasp, to the bleak visual nastiness of Red Road to the frank sexual … Continue reading

Son of Saul.

In the hell of the Holocaust, Saul Ausländer is working as a member of the Sonderkommando. Forced to burn the bodies of other prisoners following their hideous murders in the gas chambers of Auschwitz, Saul sees a dead boy that he believes to be his son. He becomes instantly determined to save the boy’s body … Continue reading

Mr. Turner.

Mike Leigh is the reason I love cinema. When I was in my late teens I discovered Secrets & Lies, High Hopes, Life is Sweet and Vera Drake. Then in my first year at University I saw Another Year and it sealed the deal. I was reminded of why I’d chosen to study film, why I adored … Continue reading