Tag: comedy

  • Shaun the Sheep Movie.

    There has been some speculation and concern about whether or not Shaun the Sheep could translate to the big screen. I can only assume the concern was about the television programme of the same title and not the bleating beauty himself. Of course, Shaun was born on the big screen. He made the unconventional transition…

  • Inherent Vice.

    What makes a good movie? Perhaps the more appropriate question is who gets to dictate what is or isn’t a good movie? You can jokingly sort films into amusing categories such as “guilty pleasures” or “childhood favourites” – we do this as a way of justifying why we like a movie if it doesn’t typically…

  • Big Hero 6.

    Big Hero 6.

    A new year is upon us and I’m back reviewing movies here at Reel Insights. It feels nice to return – particularly to review such an exceptional movie as Disney’s Big Hero 6. Taking its source material from Marvel, whom they own, Disney have captured not only a sense of current popular culture’s fascination with…

  • Caramel.

    Caramel, the debut feature film from director, writer and actress Nadine Labaki, took me completely by surprise. The film focuses around four co-workers and friends who reside in a beauty salon. As the film progresses we are welcomed into their personal lives and their personal problems. We also come into contact with a seamstress called Rose,…

  • Young Adult.

    Who we are during our high school years remains a sensitive and crucial part of us all. Whether you loved or loathed your teenage years in education, high school leaves a lasting impression on everyone. Many may deny this fact but it is a simple truth that those insecurities and emotions that we had back…

  • Magic in the Moonlight.

    Throughout his body of work, Woody Allen has always dabbled with magic. There is something about the impossible and the mystical that seems to fascinate a man so obsessed with his own mortality. The common consensus seems to be that, these days, Allen’s movies rise and fall in a natural motion. His last six or…

  • Melinda and Melinda.

    Woody Allen’s Melinda and Melinda opened to mixed reviews ten years ago. The film’s main narrative is split between two stories which both revolve around a character called Melinda. These two stories are merely the fabrications of two friends discussing the comedy and tragedy of life over a meal and a glass of wine. Allen handles…

  • Sightseers.

    Sightseers.

    Ben Wheatley’s Sightseers fell between two very interesting pieces in the rest of his filmography. Kill List combined gritty British realism with terrifying retro horror whilst A Field in England echoed back to the folk horror genre and reminded me of Witchfinder General. Wheatley’s work is astutely British and combines dark comedy with the weird and surreal. Sightseers sits between each film both chronologically…

  • Chef.

    I didn’t care whether or not Chef had a pretty conventional and predictable plot. I wasn’t desperate for it to make me howl with laughter and tug at my heart strings. I was prepared to sit through two hours of mediocre characters who I wouldn’t warm to – I’d seen the trailer after all. All I wanted…

  • The Infinite Man.

    Time travel is always a problematic and ambitious subject to attempt. So often these films resort to either glossing over the unexplainable, or embrace them whole-heartedly. The Infinite Man does neither. It balances the complexities with the acceptance of its own confusion in a way that keeps the audience enthralled whilst they ponder the situation for themselves.…

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