Mad Max: Fury Road.

I’ve allowed myself over a fortnight to digest George Miller’s re-invisioning of his original dystopian franchise. Time away from Mad Max: Fury Road has proved as crucial to my criticism as time spent with it. Nobody will forget their experience of watching Mad Max: Fury Road for the first time; mine having been slightly tainted by the light … Continue reading

The Wicker Man (2006).

There is something majestically terrible about Neil LaBute’s The Wicker Man. It is undoubtedly the worst American horror-remake to ever be made, making a conscious effort to highlight references to Robin Hardy’s sensational original but simultaneously pushing aside everything that made its predecessor so unique and artistic. The action is moved from rural Scotland to a … Continue reading

The Man Who Knew Too Much. (1934)

Alfred Hitchcock’s earlier work is sometimes sadly overlooked. He is known by many for his American films, and too right; Rear Window, Vertigo, Psycho and Rope are just some of his exceptional later films. Still, Alfred Hitchcock was an Essex boy. He began work in silent cinema with respected films such as The Lodger. Hitchcock’s work in the 1930s remains quintessentially British. The … Continue reading

What’s the Problem?

So, I have just this minute arrived home after a trip to my local ‘Odeon’ to see the new American comedy 21 Jump Street. I will summarise my thoughts quickly. I found this film adaptation, of the 1980s-1990’s TV show, extremely funny. I was shocked and impressed with Channing Tatum’s comedic talent and I felt … Continue reading