Tag: Review

  • Jesus Camp.

    Regardless of the highly obvious position taken by the makers of Jesus Camp, I found myself getting increasingly angry about the subject at the heart of this film. This documentary looks at a particular American Christian summer camp on which young and, most importantly, highly impressionable children learn about the importance of dying for Christ and preparing…

  • Edinburgh: November.

    My third month in Edinburgh has gone even faster than the first two. These last weeks before I return home for the Christmas period have been filled with essay related stress and occasional moments of self doubt. Luckily, I have been visited by several close friends who have encouraged me and helped to put things…

  • Philomena.

    I hadn’t read any reviews of Philomena before I went into the screening. I was looking forward to seeing the film but wasn’t particularly desperate to fit it into my week. Luckily, I made time to see it on Saturday evening. I say luckily because it’s turned out to be one of the greatest releases of this…

  • Filth.

    One of the most prominent images that has been used to advertise Filth has been that of police officer Bruce Robertson presenting both middle fingers, to a young child, in an offensive manner. This image emphasises the shocking and grim themes of the film. After watching the film, it is important to inform you that this may…

  • Ain’t Them Bodies Saints.

    When you do an internet image search for “Ain’t Them Bodies Saints” the majority of photographs that appear are just like the one above. Rooney Mara and Casey Affleck interlocked as the two lead characters; their heads as close as possible to one another as the infatuated couple, Ruth and Bob. The montage of images…

  • Purple Noon.

    René Clément’s slick suspense thriller Plein Soleil, translated as Purple Noon, is bubbling over with attitude and terror. We first meet Tom Ripley on the streets of Italy, laughing and chatting with friend Philippe Greenleaf. We soon learn that Ripley is being paid by Greenleaf’s father to try and persuade Philippe to return home to the United States…

  • MUBI.

    In a day and age where Netflix and Lovefilm are looking set to be the future of cinema home-viewing, I am here to provide a rather exciting and arty alternative: MUBI. One of the most popular legal ways to view films in the home is by paying a set subscription fee to companies such as Netflix in…

  • Berberian Sound Studio.

    I first experienced Italian Giallo cinema nearly two years ago when I sat in the Hyde Park Picture House at Halloween and witnessed Dario Argento’s Suspiria. The sounds of smashing glass, gruesome screams and the violent musical score were some of the most enchanting elements of the film. The bright crimsons that splashed onto the screen…

  • Children of the Damned.

    Children of the Damned.

    Horror and science fiction merge effortlessly in 1960 British classic Village of the Damned. Creepy blonde haired children, whose terrifying powers threaten humanity, must be stopped after they take over a small English village. In 1964 the ‘sort of’ sequel was released. Children of the Damned assumes you have seen its predecessor and plunges instantly into a follow up…

  • Trusting the Monsters.

    At the humble age of 9 I eagerly sat in my cinema seat awaiting a screening of Monsters Inc. To this day it remains my favourite Pixar film. Like all Pixar masterpieces, it contains strong messages about individuality, ambition, friendship and the importance of self belief and thought. The comedy and emotion are of an exceptionally high…

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