The Big Sick.

The Big Sick.

  From Jenny Slate’s desperately underrated Obvious Child to the wit and woe of The Skeleton Twins, American indie cinema has had a lot to say about modern romance in recent years. With the huge success of Aziz Ansari’s hit Netflix series Master of None and more recently the deeply cynical comical tragedy Friends from College, we find ourselves in a new … Continue reading

Moonlight.

Moonlight.

From its first intoxicating moment, to its last; Moonlight is the sensational underdog of this year’s American award season. Capturing the life and mind-set of a young boy entering adulthood in Miami, Moonlight captures the ugliness of adolescence, the agony of addiction and the frustration of growing up as a young, black, gay man in … Continue reading

Maggie’s Plan.

Written, directed and produced by Rebecca Miller, Maggie’s Plan is a spontaneous and whimsical piece of magic starring the impeccable Greta Gerwig. We meet Maggie on the cusp of a life altering decision. Making the choice to artificially inseminate herself with the produce of an aspiring pickle entrepreneur, Maggie is looking towards motherhood – content … Continue reading

Sunset Song.

It’s been four years since the work of Terence Davies last graced our screens, in the form of the exquisite The Deep Blue Sea. Now he returns with Sunset Song, an adaptation of the Lewis Grassic Gibbon novel of the same name. I first fell in love with Davies’ work when I saw a double … Continue reading

Carol.

Deeply romantic and tantalizingly erotic, Carol is the latest from film maker Todd Haynes. Here, the director brings the same period-specific aesthetics that he created in his stunning television adaptation of Mildred Pierce. Haynes is no stranger to capturing particular times and places on screen. His most prestigious film to date being Far From Heaven, … Continue reading