BlacKkKlansman

BlacKkKlansman

Spike Lee’s latest, loosely based on the early career of police-officer Ron Stallworth, opens with an icon scene from 1939’s Gone With the Wind. An iconic moment in American cinema, a distressed Scarlett O’Hara is wading through a sea of injured civil war soldiers. The camera gradually draws out, revealing the vast extent of the wounded. … Continue reading