Tag: Edinburgh Film Festival
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Iona.
Scott Graham’s Iona references both the film’s setting and its central character. Iona and her teenage son wash up on the shores of Iona, running from a violent past in Glasgow. It’s instantly apparent that Iona is returning rather than arriving. For Iona, the island is a place filled with happy memories but also a…
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Manglehorn.
An unsettling study of one man’s loneliness, in the wake of his many mistakes, Manglehorn is the uncertain but occasionally gripping new Al Pacino movie. Director David Gordon Green doesn’t manage to maintain the tenacity or conviction he showed at last year’s Edinburgh Film Festival with Joe. Still, developing greatly from his Pineapple Express days, Green…
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Welcome to Me.
Kristen Wiig’s performance in The Skeleton Twins mesmerised me at last year’s Edinburgh International Film Festival. She returns this year in Welcome to Me – a satirical comedy about the narcissism of American daytime television culture by director Shira Piven. Maintaining a constant absurdity but also delighting with some serious straight-faced, dry wit, Welcome to Me is a…
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She’s Funny That Way.
She’s Funny That Way follows in the success of Birdman, another comedy about the chaos of putting on a theatre piece. Unlike the Oscar hit, the new film from Peter Bogdanovich spends more time outside the theatre than in it; back-tracking through the earlier moments in the lives of all involved. Like a bad Woody…
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Edinburgh: June.
In last month’s post I discussed the three biggest events I was preparing to face; the job hunt, my dissertation and the Edinburgh International Film Festival. With June came one of those ventures – the most exciting one. June has been all about the film festival. I began the month working at home and working…
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Edinburgh Film Festival 2014: Round Up.
In the last 13 days I’ve sat in 3 different venues, in 9 different screens, and watched 30 films at Edinburgh International Film Festival. It has been a great experience, especially the experience of conducting my first industry interview, with director Jeff Baena. Most of the films have been great, some have been mediocre and…
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Coherence.
I finished off my time at Edinburgh International Film Festival with Coherence. A creepy science fiction chiller that begins at a friendly dinner party and turns into something much more unnerving, Coherence was a great way to finish what has been a remarkable festival. The film uses shaky cameras and hand-held equipment to create a similar appearance to…
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Miss Zombie.
Set against the bleak backdrop of a family home, Miss Zombie contributes a great deal to the popular zombie genre. The family home is well looked after but if you look a little closely, the floor is peeling and the patio is overgrown and dirty. The cracks are starting to show on the outside, reflecting what is…
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Still Life.
What happens after we die is beyond our knowledge and control. Yet, our behaviour in this world can determine the way in which we leave it. What and who we leave behind is forever un-knowable and it is the sadness of leaving nothing behind us that forms the centre of Uberto Pasolini’s Still Life. Most of…
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In Order of Disappearance.
Set against the exquisite whiteness of Norway, In Order of Disappearance is a blood-bath of fun and fury. The white canvas doesn’t stay white for too long. Soon enough it is splattered with the vibrant red blood of many angry men. On the same night that he is awarded and recognised for his contributions to his community,…
Hannah McHaffie 