Tag: Film Review
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Lady Bird.
The hunger for Lady Bird was evident in the vast appetite of the London audiences queueing at the British Film Institute on its opening weekend. I’m rarely in London, so I relished the opportunity to see the film at one of my favourite venues in the capital. I got myself a ticket forty-five minutes before the screening,…
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Phantom Thread.
In his final performance, Daniel Day-Lewis is Reynold Woodcock, dressmaker to the elite in 1950s London, drenched in the excessive wealth of the upper classes. Reynold is the visionary behind The House of Woodcock, run hand in hand with his sister Cyril. Reynold moves from woman to woman, muse to muse. When he grows tiresome,…
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An Alternative Academy Awards 2018.
Despite how swept up I get during Award Season, it’s very important to always remember that The Oscars are, at their heart, utterly ridiculous. Part of the joy of this time of year is scoffing at the final selection of nominees and discussing with other cinephiles who and what have been royally snubbed. Here are…
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Become a Reel Insights Patron!
Hello, I’m Hannah – founder of and sole contributor to Reel Insight! It’s been almost six years since I started Reel Insights and began to write about cinema and the film industry on a weekly basis. Since then, Reel Insights has visited numerous film festivals, interviewed directors about their work and continued to bring you…
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The Post.
Steven Spielberg, Tom Hanks and Meryl Streep – the creator and cast alone make The Post an obvious award season favourite. However, with the triumph of Berry Jenkins’ Moonlight at last year’s Academy Awards it seems that the days of conventional Hollywood storytelling ruling the ceremony are now over. Tomorrow, the 2018 Academy Award nominations will be announced and…
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My Favourite Films of 2017.
Taking a closer look, there’s an evident running theme of escape in my top ten films of 2017. Many of them centre around or involve physically trying to escape, emotionally trying to escape or attempting to flee from one’s self. As we face the daily reality of life filled with fake news, the threat of…
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Star Wars: The Last Jedi.
Twelve years since his impressive indie noir debut, Brick, Rian Johnson is now the man in the chair behind the second entry in the new Star Wars trilogy. Star Wars: The Last Jedi follows on almost immediately from where J.J.Abram’s Star Wars: The Force Awakens left us two years ago. The highly anticipated second instalment reintroduces us to the ongoing…
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The Disaster Artist.
Since its release in 2003, Tommy Wiseau’s The Room has gained cult status, becoming a regular favourite among late night audience there to bathe in the absurdity of the whole affair. The stilted awkward delivery of a baffling script combined with the eccentricities of Wiseau’s central character, and a sprawling narrative that drifts from one incomplete story to…
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Gaga: Five Foot Two.
I’ve been a longstanding Gaga fanatic since Fame Monster landed back in 2009, finding myself captivated by her angsty ballads such as Brown Eyes and Speechless. It was an album that defined my last long summer of freedom before heading off to university. When Born This Way arrived two years later I was once again won over by the mainstream singles, meanwhile falling…
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Good Time.
The Safdie brothers shook me to my core in 2015 with their intoxicating character study, Heaven Knows What. Now they return with an equally raw and intense tale of delinquency on the fringes of society in downtrodden New York. Last time, their star was directly from the streets they were portraying, this time Robert Pattinson takes…
Hannah McHaffie 