Tag: Film Review

  • A Ghost Story.

    A Ghost Story.

    If you’ve seen any coverage or marketing for David Lowery’s A Ghost Story then it is likely you’ve come across the captivating image above. With an aesthetic reminiscent of Tarkovsky’s Stalker, this image captures what is equally haunting and beautiful about the film as a whole. Following his sudden death, a young man finds himself trapped and isolated…

  • Final Portrait.

    Final Portrait.

    I have made a recent effort to write more specifically about the work of women and people of colour, both behind and in front of the camera. A rather chaotic few days and a refurbishment at my local cinema left me with only a film by and about a white man to watch and review…

  • Shin Godzilla.

    Shin Godzilla.

    With nuclear war feeling more of a potential imminent reality than ever before, we can welcome a new Godzilla film with open arms. Since the creature’s iconic debut back in 1954, our monstrous protagonist has taken many different forms – partly because of the changing technological abilities of cinema but also as a result of…

  • The Big Sick.

    The Big Sick.

      From Jenny Slate’s desperately underrated Obvious Child to the wit and woe of The Skeleton Twins, American indie cinema has had a lot to say about modern romance in recent years. With the huge success of Aziz Ansari’s hit Netflix series Master of None and more recently the deeply cynical comical tragedy Friends from College, we find ourselves in a new…

  • Baby Driver.

    Baby Driver.

    Edgar Wright finally makes his highly anticipated directorial return following on from the underwhelming The World’s End, the final instalment of his ‘Three Flavours Cornetto’ trilogy. Since its energetic SXSW premiere earlier this year, Baby Driver has been a much talked about potential hit of the year and finally pulls into cinemas this Wednesday. The…

  • My Life as a Courgette.

    My Life as a Courgette.

    After the passing of his alcoholic mother, a young boy is processed at a police station. Nicknamed Courgette by his mother, he refuses to answer to his real name. He carries with him two precious possessions; memories of each parent he has lost. Courgette finds himself at a small home where other children who “don’t…

  • Colossal.

    Colossal.

    Booted out of her New York apartment by her exasperated partner, Gloria finds herself back in her childhood town, sleeping on the floor of her now empty family home. Having been out of work for over a year Gloria’s life has become a toxic cycle of heavy late night drinking and sleeping through the day…

  • Alien: Covenant.

    Alien: Covenant.

    Alien is undoubtedly a near-perfect film which continues to dazzle and impress me each time I return to it. Ridley Scott’s bold aesthetic choices and simplistic approach to both the film’s story and visuals results in something altogether cinematically extraordinary. Although many believe an argument can be made for James Cameron’s Aliens, I see little greatness…

  • All This Panic.

    All This Panic.

    Shot over three years, Jenny Gage’s All This Panic is a monumental achievement; a glorious meditation on the awkward and undefined transition between childhood and adulthood. Focussing on the changing lives of a small handful of Brooklyn girls, it is a heartbreakingly nostalgic documentary, which expertly captures those bizarre, minor, authentic details that define the…

  • Mulholland Drive.

    Mulholland Drive.

    The first time I saw Mulholland Drive was on a dim laptop screen in the back of a caravan. Even in this least cinematic of locations I found myself intoxicated by David Lynch’s chaotic meditation on the putrid nature of Hollywood. This weekend I finally saw it for the second time on a much larger screen as…

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