Tag: Romance

  • She’s Funny That Way.

    She’s Funny That Way follows in the success of Birdman, another comedy about the chaos of putting on a theatre piece. Unlike the Oscar hit, the new film from Peter Bogdanovich spends more time outside the theatre than in it; back-tracking through the earlier moments in the lives of all involved. Like a bad Woody…

  • Listen Up Philip.

    Many of us first fell in love with Jason Schwartzman as the egotistical, over-confident and deluded Max Fischer. Listen Up Philip is about a deeply troubled and painfully self-obsessed writer, awaiting the publication of his second novel. It could easily be a sequel to Rushmore. Philip could be an adult Fischer; an arrogant ‘one-of-a-kind’ whose naivety…

  • The Last Five Years.

    Opening with the end of a romance, The Last Five Years spends its time travelling back through the relationship we now know to be over. Nothing is chronological as we spring from raunchy Summer dates to proposals to domestic spats. Don’t expect The Last Five Years to deliver any type of profound commentary on relationships and human intimacy; it…

  • Suite Française.

    Based on the 2004 novel of the same name, Suite Française is the story of a French woman’s love affair with a Nazi lieutenant during the German occupation of France. As well as its central romance, the film also looks at the lives of several members of a small village and the strains placed upon them…

  • Caramel.

    Caramel, the debut feature film from director, writer and actress Nadine Labaki, took me completely by surprise. The film focuses around four co-workers and friends who reside in a beauty salon. As the film progresses we are welcomed into their personal lives and their personal problems. We also come into contact with a seamstress called Rose,…

  • Magic in the Moonlight.

    Throughout his body of work, Woody Allen has always dabbled with magic. There is something about the impossible and the mystical that seems to fascinate a man so obsessed with his own mortality. The common consensus seems to be that, these days, Allen’s movies rise and fall in a natural motion. His last six or…

  • My Accomplice.

    Lacking in all direction and chemistry, My Accomplice is a perfect example of a director getting thoroughly carried away in their own work. This feeble and poorly judged romantic-comedy is crucially lacking in both romance and comedy. There is barely any plot to speak of and the whole affair is dangerously self indulgent and lazy. Two strangers meet…

  • We’ll Never Have Paris.

    Closing Edinburgh International Film Festival is the abysmally limp We’ll Never Have Paris. Attempting to capture the modern tragedy and harsh reality of love and romance, in a Woody Allen inspired way, We’ll Never Have Paris fails to impact. Quinn has grown far too comfortable in his ten year relationship. He is preparing to propose to Devon but…

  • Life After Beth.

    Zombies are back and as versatile as ever. Jeff Baena’s Life After Beth demonstrates just how diverse the zombie movie has been able to become in recent years. Balancing both romance and the un-dead, Life After Beth brings a more personable story to life with its ghoulish comedy. We first meet Zach as he enquires about black napkins in his local…

  • Only Lovers Left Alive.

    When you spend the duration of a film asking yourself whether or not you’re enjoying it, you’ve probably already answered your own question. Jim Jarmusch’s take on the ‘vampire movie’ is under the impression that it is a lot cooler than it really is. It is too self-aware for its own good but that isn’t…

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