Us.

Us.

It’s not very often that a film is so striking, so complex and so delicious that attempting to write a review of it proves overwhelming. Where am I supposed to start with reviewing Jordan Peele’s Us? The director’s follow up to his 2017 debut confirms the true, consistent talents of Peele, undoubtedly a horror film … Continue reading

Hereditary.

Hereditary.

Following the death of her estranged mother, Toni Collette’s Annie secretly attends grievance support groups, where she describes her mother as manipulative, secretive and barely her mother by the end. Despite the distance and bad blood between them, Annie and her family quickly find the death of their matriarch starts to unravel the family dynamics … Continue reading

Dark River.

Dark River.

When I reviewed her directorial debut, The Arbor, I declared that Clio Barnard was a British director to keep your eye on. Back in 2013 her follow up The Selfish Giant further demonstrated her ambition, capability and versatility. Barnard’s third feature is a rural British drama centred around unspoken memories of trauma which continues to prove all of the … Continue reading

mother!

mother!

Cinema is full of unwelcome guests and domestic intruders, from that unexpected knock on the door to the uncomfortable sense of anxiety caused by someone overstaying their welcome. Michael Haneke’s Funny Games is perhaps the most obvious example of this; two young men dressed in white enquiring about borrowing some eggs but who possess much … Continue reading

Alien: Covenant.

Alien: Covenant.

Alien is undoubtedly a near-perfect film which continues to dazzle and impress me each time I return to it. Ridley Scott’s bold aesthetic choices and simplistic approach to both the film’s story and visuals results in something altogether cinematically extraordinary. Although many believe an argument can be made for James Cameron’s Aliens, I see little greatness … Continue reading

Mulholland Drive.

Mulholland Drive.

The first time I saw Mulholland Drive was on a dim laptop screen in the back of a caravan. Even in this least cinematic of locations I found myself intoxicated by David Lynch’s chaotic meditation on the putrid nature of Hollywood. This weekend I finally saw it for the second time on a much larger screen as … Continue reading